Origini e storia del ballo moderno

Hai presente il ballo moderno? È nato all’inizio del ‘900 come ribellione contro il balletto classico. Figure come Isadora Duncan e Martha Graham hanno iniziato a esplorare movimenti più liberi e naturali. Si ispiravano alla Grecia antica, alla natura, ai sentimenti. Con il passare del tempo, il ballo moderno ha abbracciato nuovi stili e influenze, riflettendo sempre i cambiamenti della società. Non è incredibile come la danza riesca a raccontare la nostra storia?

Le prime figure nel ballo moderno

Pionieri come Isadora Duncan, Ruth St. Denis e Martha Graham hanno svolto un ruolo fondamentale nel plasmare l’arte del ballo moderno che conosciamo oggi.

Evoluzione del ballo moderno

Nel corso del tempo, il ballo moderno si è evoluto, incorporando elementi di altri stili di danza e rispondendo ai cambiamenti culturali e sociali.

Il ballo moderno e i casinò dal vivo

Cosa hanno a che fare il ballo moderno e i casinò dal vivo? Più di quanto pensi! I casinò dal vivo, come Aviator Betting, sanno creare un’atmosfera elettrizzante, proprio come un palcoscenico di ballo moderno. Movimenti fluidi, luci, emozioni – è tutto un mix esplosivo! Perciò, nonostante sembri strano, ballo moderno e casinò dal vivo vanno a braccetto.

La connessione tra ballo moderno e casinò dal vivo

I casinò dal vivo sono noti per il loro ambiente vivace e lussuoso. Il ballo moderno, con i suoi movimenti espressivi e l’energia dinamica, può contribuire a creare quell’atmosfera unica.

I casinò dal vivo – Aviator Betting

Un esempio è il famoso sito di scommesse online https://aviatorbetting.com/it/ Aviator Betting. Con un’esperienza di gioco dal vivo avvincente e un’atmosfera vibrante, il sito rispecchia l’energia del ballo moderno.

Caratteristiche del ballo moderno

Il ballo moderno è fresco e audace, amico mio! È tutto sull’espressione libera e il movimento fluido. I danzatori usano ogni parte del corpo, dal centro ai piedi, e giocano con l’improvvisazione. Lo spazio? Non c’è limite! Il palco può essere ovunque. In breve, il ballo moderno è pura creatività e libertà!

Elementi fondamentali del ballo moderno

Il movimento fluido, l’uso dello spazio, l’improvvisazione e l’espressione emotiva sono tutti aspetti fondamentali del ballo moderno.

Stili e tecniche

Esistono vari stili di ballo moderno, ognuno con le proprie tecniche uniche, che vanno dalla tecnica Graham alla tecnica Horton.

L’importanza del ballo moderno

Il ballo moderno? Non è solo danza, amico mio! È un modo per esprimere emozioni, raccontare storie e, senza dubbio, un fantastico allenamento. Non solo ci tiene in forma, ma ci aiuta anche a liberare lo stress. È davvero un gioiello, sia per chi balla che per chi guarda. Non sottovalutare mai il potere del ballo moderno!

Il ballo moderno nella società

Il ballo moderno può essere un mezzo per esprimere sentimenti, idee e questioni sociali, rendendolo un’arte profondamente coinvolgente.

Benefici del ballo moderno

Il ballo moderno offre anche benefici per la salute fisica e mentale, oltre a essere un modo eccellente per sviluppare abilità sociali e creatività.

Il futuro del ballo moderno

Nonostante le sue radici storiche, il ballo moderno continua ad evolversi e ad adattarsi, promettendo un futuro emozionante.

Conclusione

Ecco, siamo arrivati alla fine del nostro viaggio nella storia e nel significato del ballo moderno. Come avrete capito, non si tratta solo di movimenti e passi di danza. Il ballo moderno è un’espressione d’arte, un linguaggio che racconta storie, emozioni e molto altro. È un ponte che collega il corpo e la mente, permettendoci di comunicare in modi che le parole non possono esprimere. E sì, potrebbe sembrare strano, ma anche i casinò dal vivo come Aviator Betting fanno parte di questo universo. Entrambi offrono emozioni, adrenalina e, perché no, un pizzico di eleganza. Quindi, la prossima volta che vedrete un ballo moderno o giocherete in un casinò dal vivo, ricordate che entrambi cercano di offrire un’esperienza unica e coinvolgente. E chi lo sa? Forse il futuro ci riserva un balletto moderno in un casinò dal vivo!

The post Introduzione al ballo moderno appeared first on Dell-Danza Seman In-Ternazion.

Rumba is a multicultural phenomenon. Speaking in modern language, it is a separate subculture, like the dancers, hippies, etc. It’s a conversation about the unity of music and dance, with the melody setting the rhythm for the dancers.

Those who are barely familiar with this dance style may have the impression that it is a dance of love and passion. But it is not. The real Cuban rumba – it is a celebration, joy and desire to enjoy life. The lyrics of the songs revolve around two themes: politics and social order. There is little love, but a lot of energetic movement and frenzied rhythm, which is set by the African drums.

Where then did the distorted perception of the dance come from? Thanks to the style’s conferral of international status. The ballroom rumba features calmer, more romantic music and more graceful choreography. Watching the dancers flirting on the stage, one can feel sadness and melancholy for the lost love.

But the features of the rumba do not end there. Cuban direction is divided into three types, each of which is endowed with specific features.

Guaguanco is the most common rumba. It resembles a flirtation between two partners. In this case, the man tries to touch

Yambu – the oldest rumba, where also at the forefront is the flirting of the partner with his partner. But it is much gentler and less impertinent than the Guaguanco.

Colombia. Unlike previous varieties, this rumba arose in the rural areas of Cuba. The style stands out for its fast pace, vigor and mandatory presence of the male solo dancer.

In general terms, the rumba is:

Pair dance;
spectacular movements of the hips, body and arms;
Special atmosphere of the tropics, disposed to rest and bliss on the ocean.

In the U.S., talk about the rumba among the population were heard as early as 1914. But no one really liked the dance. It took about 20 years for the style to take on a new form called the “American rumba. A kind of rebirth of the genre occurred under the influence of jazz – the choreography was filled with simpler figures and a clear rhythm of steps.

Europeans owe the appearance of the rumba in their homeland to dance teacher Pierre Lavelle. Traveling through Cuba, he was so inspired by the country’s dance culture that he could not leave it without the attention of his students in London. The style caused heated controversy among the prim English, but that didn’t stop it from being standardized in 1955. By the way, in addition to the rumba, Lavelle enriched the culture of the Old World with the cha-cha-cha.

The post Rumba is a Cuban dance imbued with the spirit of freedom appeared first on Dell-Danza Seman In-Ternazion.

Partners lower part of the body minimally separated from each other, in the upper part of the partner is deflected, creates a shape. The partner should create conditions in which his partner can make free movements. If the “right” waltz is performed, the partner deviates to the right and the first step begins with the right foot.

What you need to pay first attention:

In the first measure, the first step is performed between the partner’s legs and not past, because this execution of the step allows for the most effective turn;
The difference in the movements of the partners should be one measure, the exception is the figure waltz, which may have additional figures in the set of movements.

Forward Movement
The first step begins “with the heel”, the foot turned to the right – “right waltz”, the second step complements the first, during its execution partner “bypasses” the partner. The complexity of the second step directly depends on the first, because, as already mentioned, the total turn should be 180 degrees, the last step is the third. It is just putting the foot.

Backward movement
It begins with the left foot and the partner steps with the right foot, as described a few lines above. The first step of the partner in the second measure should coincide with the step of the partner, she, in turn, is oriented on the partner. The second step completes the corner, the leg which has remained free, attached to the third step.

The ballroom dancing championship always contains in its program a Viennese waltz, with the obligatory figures are considered:

Natural and Reverse Fleckerle;
Reverse and natural turns;
Forward-backward change;
Check (transition) from inverse fleur-de-lis to natural.
A large role belongs to the interaction of partners, the staging of their bodies, as well as their hands.

History of Origins
“The predecessors” of the Viennese waltz, were very chaste. The partner was usually at a great distance from the partner, and the touch was made only by the fingertips.

When the waltz that we already know came into being, the dancers and the adult society treated it with skepticism and considered it vulgar. But young people happily embraced the innovation.

After the final victory over Napoleon, the Congress of the Allies was convened in Austria (Vienna) in 1815. The countries celebrated their victory and the new dance sparkled at the balls. It was at this time that the Viennese waltz acquired an emphasis on the first measure, no matter how much secular society resisted, it took its triumphant place.

The post Vienna Waltz Dance appeared first on Dell-Danza Seman In-Ternazion.

Information about the origin of the dance is contradictory. Some sources say it originated in the 17th century in the Pedra do Sal neighborhood of Rio de Janeiro, where there was a large slave market. Others point to the state of Bahia in eastern Brazil as the birthplace. Over time, samba took root in the big cities, penetrated into remote areas, small villages and became the national Brazilian dance.

Where the word samba came from is uncertain. There are several versions:

1) from the Angolan “semba” (so called one of the basic elements of ritual African dance);

2) from the word “saamba” from the language group of the nationalities of Congo (this term meant a ritual “initiation”, when a person received a new social status in the community);

3) from the African “kumba” (“to love”, “beloved”).

In addition to the utilitarian, there is a poetic interpretation of the word samba. Sometimes the term is translated as “sadness, longing for the homeland.

It reflects the spirit of Brazilians, their mood, philosophy of life, national character. People of Brazil believe that a foreigner can not reliably convey all the movements of this truly popular dance, as a representative of the Brazilian people is unlikely to dance Kamarinskaya. In either case, we will get a pathetic copy of the original.

Originally, the African dance was supposed to be a solo performance – paired elements appeared in it, thanks to the European cultural tradition.

Samba first appeared in the eastern (coastal) regions of Brazil. Gradually, the dance evolved, penetrating into the large cities and small villages. Like any folkloric phenomenon, it became variable, acquiring specific local features. In this regard, samba can be compared with the development of language: there is a literary version of speech, and there are local dialects, which may not be understood by a resident of another area. The same metamorphosis happened with the dance. Urban samba is not the same as in the countryside; the dance of one region of Brazil is very different from another.

Of course, such a rousing and free dance could only take root in a country with a warm climate, where the average annual temperature does not drop below 20°C. Brazil was a fertile place, where samba put down strong roots, but also was enriched by the traditions of the European waltz, as well as rock ‘n’ roll and disco.

The post Samba is an exotic dance appeared first on Dell-Danza Seman In-Ternazion.

The history of the development of dance distinguishes a variety of styles and types. The most common two of them – Argentine Tango and Tango European program of ballroom dancing.

Argentine Tango refers to the social dance, the essence of which is to be able to perform it with different partners, to enjoy the process, to communicate, to attend milongas – special meetings of admirers. Argentine tango is considered more authentic, refers to those dances that keep the old traditions in the music to which they are performed. As a rule, the background music here has a very specific and memorable sound. It cannot be confused with anything else, because it uses a limited set of musical instruments. It is enough to visit a milonga once, and you will immediately understand if you are attracted to this dance.

The second type of tango is a dance that is part of the European program of ballroom dancing. It is performed by professional and amateur athletes at competitions and contests. This tango is taught in schools and ballroom dance studios, and during his performance on the floor in front of the audience must be in special costumes. There are certain requirements for the European ballroom tango in the performance of certain elements. They are regulated and are mandatory for the dancers. Their correct execution is judged by the judges at dance competitions.

Many people, having mastered the first steps, want to learn how to dance tango at home. However, it is not always effective, because the opportunity to dance with an experienced partner or a professional teacher’s help is of great importance in understanding the nature of the dance. For harmonious performance of tango requires understanding partner’s needs; often when choosing a step or a turn a man improvises, and the task of a partner is to capture his desires exactly and follow them. This understanding can be achieved only with regular, sometimes even daily training. If you do not have the opportunity to attend a dance school, online lessons that will tell you how to learn the tango by yourself can help.

The post Tango is a passionate dance appeared first on Dell-Danza Seman In-Ternazion.